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・ Lucina pensylvanica
・ Lucina River
・ Lucina River (Moldova)
・ Lucina's shrew
・ Lucinactant
・ Lucinasco
・ Lucinda
・ Lucinda (given name)
・ Lucinda (steam yacht)
・ Lucinda Ballard
・ Lucinda Bassett
・ Lucinda Bliss
・ Lucinda Brand
・ Lucinda Brayford
・ Lucinda Bruce-Gardyne
Lucinda Childs
・ Lucinda Cowden
・ Lucinda Coxon
・ Lucinda Creighton
・ Lucinda Croft
・ Lucinda Davis
・ Lucinda Davis (actress)
・ Lucinda Dickey
・ Lucinda Dryzek
・ Lucinda Ebersole
・ Lucinda Finley
・ Lucinda Franks
・ Lucinda Fredericks
・ Lucinda Gane
・ Lucinda Green


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Lucinda Childs : ウィキペディア英語版
Lucinda Childs

Lucinda Childs (born June 26, 1940) is an American postmodern dancer/choreographer and actress. Her compositions are known for their minimalistic movements yet complex transitions. Childs is most famous for being able to turn the slightest movements into an intricate choreographic masterpiece. Her use of patterns, repetition, and dialect has caused her to have a unique style of choreography that is often imitated for its ability to experiment.
==Personal life and early career==
Lucinda Childs was born in New York City. She began dancing at the age of six, but her ambition was to become an actress. Continuing her dance training, she studied with legends such as Hanya Holm and Helen Tamiris. As a musical choreographer, Tamiris gave Childs her first acting job which proved to be a frightening experience for Childs. After this traumatic experience, Childs decided to focus on dance and pursued a Bachelor of Arts degree in dance. She was able to broaden her technical experience by studying with Judith Dunn, Bessie Schonberg and Merce Cunningham. Childs describes Cunningham saying that he “elucidated a kind of particularity and clarity in dance that felt distinctly separate from anything I had experienced up to that point”. While studying at the Cunningham studio, Childs was introduced to Yvonne Rainer who encouraged her to be a part of the Judson Dance Theater in 1963 with dancers such as James Waring, Valda Setterfield, and Arlene Rothlein. Here, Childs was allowed to explore and experiment with her own dance style and choreography. Childs states, “Judson made me interested in dance, but it also made me feel torn between different things – technique, working outside the dance vocabulary, using objects and texts.”〔Roslyn Sulcas, “Dance: Freeing the Inner Childs: Talking Dancer” ''The Village Voice'' (2001), (IIPA ), 67〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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